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author: IRENA FRACZEK

NOT TO BE MISSED CONCERTS COMING SOON...

Jarek Bester

JAREK BESTER

CONTEMPORARY MASTER
ACCORDIONIST FROM POLAND

In his performing style, Jarosław Bester combines his experience in classical, klezmer, jazz and folk music to develop his own interpretation style and to create a powerful mix of technique, sensibility and creativity rarely achieved on the accordion. Because of this unique style, developed over the course of more than 30 years of performing, he is considered today one of the most original accordion interpreters worldwide. (see 2/24/2019 calendar entry for more information about the artist and location)

4 pm on February 24, 2019 ....... Murphy Hall, UW School of Music

 

ATOM STRING QUARTET

AtomSQ

POLAND'S JAZZ FUSION
ALL ACOUSTIC SENSATION

Atom String Quartet is one of the most intriguing string quartets in the world, and also one of best Polish jazz bands. The group combines the capabilities of a classic string quartet (i.e. two violins, viola and cello) with strong improvisational skills in the jazz idiom, which in turn allows them to develop their distinctive new sound and establish their own original style. Their style, strongly based in jazz, also includes Polish folk, music of various regions of the world, as well as contemporary and classical music.  (see the 3/3/2019 calendar entry for extensive information about the band and location details)

6 pm on March 3, 2019 ....... Music Hall at 925 Bascom Mall

 

 

The Book Club members read and discuss a variety of books
about Polish heritage and/or written by Polish authors.
Here is the list of books we have explored over the years.

 


 


 

FIRST MEETING: 7pm on February 12, 2019


303 SQUADRON: The Legendary Battle of Britain Fighter Squadron

2019 303squadron by ARKADY FIEDLER


click here for location
and contact information

From the Aquila Polonica Publisher: "Thrilling action story of the celebrated squadron of Polish fighter pilots whose superb daring and aerial combat skills helped save England during its most desperate hours. The 303 "Kościuszko" Squadron flew with the RAF, downing three times the average RAF score, while incurring only one-third the average casualties during the Battle of Britain. Underdog heroes who rose to defend against the deadliest German Luftwaffe attacks, the pilots of 303 Squadron were lionized by the British press, congratulated by the King and adored by the British public "

Adam R. Seipp (Sarmatian Review): "The portraits of the pilots are fascinating by themselves. In the 1943 edition pilots’ names remained concealed for fear of reprisals against families in Poland. This edition includes extensive biographical information about a number of these fliers. Their birthplaces and early careers tell a fascinating story about the changing borders of Poland in the early twentieth century and interwar creation of a Polish military establishment. The capsule biographies at the end of this edition also provide a sobering reminder of the terrible toll of air combat and training accidents. Those who survived scattered after the war, some returning to Poland while others sought new lives in emigration.”

Irene Tomaszewski (Cosmopolitan Review): "A riveting read, it not only tells the story but captures the mood of the epic battle that saved Britain, while it celebrates the daring and honorable young men who really lived by their motto: For Your Freedom and Ours.”

Henry Conigsby (Watford): "The tale of how the second half of that motto turned into the cruellest of jests is widely known. Instead, let us recall them in their days of glory: so brave, so handsome, so young – the laughing hussars of the sky. I think the difference between our two countries is this. If I were not English, I should want to live as a Pole. If the men of 303 Squadron were not Polish, they would not have wanted to live at all."

 

►check also this PDF about new recent 303 SQUADRON movies◄

 

 

 

SZOPKA KRAKOWSKA:
The Intangible Cultural Heritage of Humanity

Just on time for Christmas... Poland's unique "Szopka Krakowska" is now inscribed on the Representative List of the Intangible Cultural Heritage of Humanity . This is the first entry from Poland that has been recognized in this way and its history can be revisited in the Christmas Tradition of “Kraków Szopka”  posted on our website in December 2017.

Its aim is to identify and help to preserve diverse forms of expression, practices and skills reflecting human creativity, cultural identity, and serving as "unique testimony of living cultural tradition."

author: IRENA FRACZEK

 

SZOPKA KRAKOWSKA:
The Intangible Cultural Heritage of Humanity

Just on time for Christmas celebrations in the Jubilee Year of Poland's Independence, great news arrived from UNESCO about the inscription of "Szopka Krakowska" on the Representative List of the Intangible Cultural Heritage of Humanity. This is the first entry from Poland on the list that was established in 2008 and currently contains 580 entries from 122 countries. Its aim is to identify and help to preserve diverse forms of expression, practices and skills reflecting human creativity, cultural identity, and serving as "unique testimony of living cultural tradition."

 

Szopka krakowska rates high on all of the above criteria. By blending history, legend and modernity with the remarkable skills, powers of imagination, and freedom of expression, it is a unique form of folk art with the engaging message and artistic authenticity. In recognition of these qualities, the art of "szopka krakowska" making (szopkarstwo krakowskie) was placed on the National List of Intangible Cultural Heritage in 2014.

In Polish, the word "szopka" (plural "szopki") refers to the nativity scenes (szopki bożonarodzeniowe) adorning Polish churches at Christmas time. Called also mangers, cribs or crèches, they became popular after St. Francis of Assisi created the first manger in Greccio, Italy (1223) and Franciscans brought the idea to Poland just a few years later. The Krakovian szopka emerged from this tradition in the early XIX century due to winter shortages of jobs for stone masons, brick-layers, tilers and carpenters.

To make money during seasonal slowdowns, the industrious construction workers turned to building the miniature copies of church mangers and using them as portable backdrops for kolędowanie (a custom involving groups of door-to-door carolers in ritual costumes collecting donations for their singing) or staging the nativity plays (called jasełka in Polish) performed on the streets or in the houses of wealthier folks. These spectacles starred amateur actors and/or puppets, both gradually replaced with the doll-like figurines in the crèches. That’s how a new form of folk art was born taking life on its own outside of the church setting.

 

Fierce competition helped to shape the unique characteristics of the Krakovian szopka. To attract attention of spectators and potential hirers, the szopka makers were forced to innovate – and they did so by turning to flashy materials, incorporating the elements of Kraków’s architecture and/or reflections of its legends, history and political/social life. In what became the most distinctive trait, the Kraków crèche took a shape of an urban structure fusing elements of some of the city’s most famous buildings (e.g. the Wawel Castle, Sigismund’s Chapel, Sukiennice, the Barbican, or St. Florian Gate) crowned with the Town Hall Tower or towers of St. Mary’s Basilica and other churches. They also became exquisitely ornate and sparklingly colorful – the effect achieved with the extensive use of cellophane, tinfoil, tissue paper, beads and small pieces of plastic or glass.

The range of characters populating the Kraków szopka also goes far beyond that seen in the traditional nativity scenes (the Holy Family, the Three Kings, angels, shepherds and animals). The most common additions are folks in regional costumes (mostly from Kraków and Podhale) and heroes of local legends (the Dragon of Wawel, the Kraków trumpeter, Lajkonik or the sorcerer Pan Twardowski). But some crèches spotlight historical figures (like Tadeusz Kościuszko, the Polish and American hero who famously took his oath on the Krakow’s Old Town Square in 1794) as well as contemporary politicians, clergymen, artists and sportsmen. Szopka craftsmen also make references to current global or local events such as Poland’s accession to the European Union, the World Youth Day 2016, or expansion of paid parking zones in the city.

 

The amount of work that goes into creating those marvels of folk art is truly mind boggling. An average szopka maker spends on his/her hobby about 2,000 hours per year (5 hours a day) and larger structures, which can reach the heights well in excess of 10 feet, take over 10,000 hours to complete. As such workload is unfeasible for many individuals, some crèches are created as group efforts involving family members and/or circles of friends or classmates. But whether solo or in a group, it is clearly a labor of love as many szopka makers indulge it since childhood into their senior years. And for all those dedicated folk artists, there is no greater joy than scoring a win in the annual competition for the most beautiful szopka.

Every first Thursday of each December the tournament takes place on the Krakow’s Main Square (Rynek Główny) known for its lively street life and architectural treasures including the Cloth Hall (Sukiennice) and St. Mary’s Basilica (Kościół Mariacki). From the early morning hours, crowds gather around the Adam Mickiewicz monument (Pomnik Adama Mickiewicza) to marvel at the new crop of colorful Krakovian szopkas (szopki krakowskie) arriving for the annual competition. After the noon Trumpet Call (Hejnał Mariacki) from St. Mary’s Basilica tower, participants of a cheerful parade fronted by folk musicians circle the square and carry them to the Krzysztofory Palace (Pałac pod Krzysztofory), where judges select the winners.

The first edition of the tournament was organized in 1937 to reignite interest in the tradition that weakened during the World War I and fire up the competitive spirit among the szopka makers. Since then the contest was held every year (with a five year pause during the World War II) and winners of its 75th edition were announced on December 10, 2017. As it recently became a custom, all of the 171 entries submitted this year will remain on display in the post-competition exhibit till the end of February 2018. Some winners will also join the already substantial szopka collection of the Historical Museum of the City of Kraków (Muzeum Historyczne Miasta Krakowa), the main organizer and promoter of the competition. The collection is the largest in Poland (about 300 items) and can be viewed all year round in the Krzysztofory Palace located on the Main Square - definitely a place to see during your next trip to Kraków.

 

 

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